The Orient Express instantly conjures up images of luxurious travel, fine dining, people dressed in their very best, quiet and attentive staff gliding unseen and unremarked through carriages, Inspector Hercule Poirot and 12. Always 12 people.
And so it is with FIVE FOUND DEAD in which one imagines author Sulari Gentill had an enormous amount of fun constructing a story that's partly a hat tip to Agatha Christie's well known novel, and the entire golden age of mystery writing.
In this outing the 12 are the "Bar Council", a group of passengers pulled together by their backgrounds - law enforcement, private investigators, spies, a lawyer and her brother the crime writer. They are called upon by the train manager when a compartment is discovered one morning, empty of its occupant but covered in blood. Of course it's a train so that compartment will be close to somebody, but it's the lawyer and her brother Meredith and Joe - the "main characters" of this outing for want of a better description, and a recently retired French policeman who have the "honour" of being in the cabins either side of the crime scene. As the "Council" convenes to try to solve the mystery of the missing man, and what the crime scene means, a dangerous new COVID variant has been discovered, and two carriages are quarantined from the rest of the train, which also finds itself stranded between France and Italy as authorities react (badly) to this biothreat.
So effectively we have a modern day locked room mystery, on a train, which is totally locked down because of the disease threat, making for an interesting problem for those on board, which rapidly becomes even more dangerous as more and more people in the non-quarantined part of the train start to die.
Add to that the 12 "Bar Council" members, any of whom could as easily be perpetrator as potential saviour and Meredith and Joe have their work, and their survival cut out for them.
Keen readers of crime fiction will pick a considerable number of homages in this novel, and there's even some blatantly spelt out for you, but all of this sounds complicated, and isn't. As always, Gentill has a way of putting together complex plots with verve and, one suspects, a sense of fun. Made all the more difficult it seems at the time of writing this novel, with a personal health battle of her own, played out in Joe's experience of surviving a bout of cancer, with the support of his sister. There's some twists and turns in that story as well as they both must now find a way of normalising life after a difficult experience, something that a lot of people experience, but few have written about in the manner that Gentill has tackled it.
Keener readers may also notice yet again a lot of playing about with a style of metafiction that Gentill is also rapidly making her own. To this reader's mind, less parody than homage, less undermining of convention and more celebration.
Regardless of how you approach FIVE FOUND DEAD - as a seasoned old crime fiction reader who instantly picks the cleverly constructed homages, or as somebody who is just flat out looking for something to while away some time, this is a hugely entertaining novel, fascinatingly clever, and wonderful to have out in the world for all to enjoy.
Five Found Dead

On a train, there are only so many places to hide…
Crime fiction author Joe Penvale has won the most brutal battle of his life. Now that he has finished his intense medical treatment, he and his twin sister, Meredith, are boarding the glorious Orient Express in Paris, hoping for some much-needed rest and rejuvenation. Meredith also hopes that the literary ghosts on the train will nudge Joe's muse awake, and he'll be inspired to write again. And he is; after their first evening spent getting to know some of their fellow travelers, Joe pulls out his laptop and opens a new document. Seems like this trip is just what the doctor ordered…
And then some. The next morning, Joe and Meredith are shocked to witness that the cabin next door has become a crime scene, bathed in blood but with no body in sight. The pair soon find themselves caught up in an Agatha Christie-esque murder investigation. Without any help from the authorities, and with the victim still not found, Joe and Meredith are asked to join a group of fellow passengers with law enforcement backgrounds to look into the mysterious disappearance of the man in Cabin16G. But when the steward guarding the crime scene is murdered, it marks the beginning of a killing spree which leaves five found dead—and one still missing. Now Joe and Meredith must fight once again to preserve their newfound future and to catch a cunning killer before they reach the end of the line.
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