Project Status Report: Mid January 2025

BRONTE NEEDS A PLACE TO LIE LOW.

She posted a drunken rant that went horrifically viral. Now – jobless, friendless and broke – she’s forced to volunteer as a carer on an isolated rural property. She won’t be paid for looking after dementia sufferer Nell, but at least she’ll have a place to stay.

Bronte’s host is Nell’s daughter Veda, who runs spiritual rebirthing retreats. She also claims the rights of a sovereign citizen and rejects the authority of the state, refusing even to register her car. She has acquired a small but devoted following.

Are they harmless cranks, with their conspiracy theories and outrage at government overreach? Or dangerously paranoid domestic terrorists? And what is the dark secret that Nell, in her confusion, keeps harking back to?

Bronte, increasingly uneasy, would be getting far away from the whole place – if she had anywhere else to go.

The methodical but troubled Chief Inspector Georges Gorski visits the wife of a lawyer killed in a road accident, the accident on the A35. The case is unremarkable, the visit routine.

Mme Barthelme—alluring and apparently unmoved by the news—has a single question: where was her husband on the night of the accident? The answer might change nothing, but it could change everything. And Gorski sets a course for what can only be a painful truth.

But the dead man’s reticent son is also looking for answers. And his search will have far more devastating consequences.

'First rule of rescue: don't create another casualty.'

Grace Disher is about to face every teacher's worst nightmare.

Three of her students are going to die.

On a high school camping trip, three boys slip away for an ocean swim. By the time Grace catches up, the perilous surf conditions are overwhelming the teenagers. If she goes in, she will die trying to save them.

Should she have given her life?

The question haunts Grace as investigations begin and her decision not to attempt a rescue comes under scrutiny. Hounded by conflicted staff, grieving parents and relentless media - all dissecting her actions, all looking for someone to blame - Grace's safety is compromised and she must be careful who she trusts.

And she's not the only one with a secret.
 

A murderer is identified by a team of oxen. A dead man rises from a watery grave to indict his killer. A phantom hearse gliding through Melbourne’s slums foretells violent death. A seamstress turns detective to avenge her friend’s homicide. A locked-tent mystery. 

Such are the themes of Mary Fortune’s ingenious and dramatic crime stories. Between 1865 and 1910 she wrote over 500 of them; they comprise the first ever detective fiction series written by a woman. Set in the outback, on the goldfields, and in the burgeoning metropolis of Melbourne, they offer a vivid account of life and death in colonial-era Australia. Fortune tackled subjects such as murder, armed robbery, bootlegging, and sexual violence with a frankness unprecedented for a woman in the 19th century, in styles ranging from melodrama and Gothic horror to social realism and what is now called noir. This collection comprises 17 of her finest stories, edited and introduced by literary historians Lucy Sussex and Megan Brown.

Born in Ireland in 1832, Fortune arrived in Australia during the gold-rush, which she observed firsthand and depicted in many of her stories. A brief, bigamous marriage to a policeman gave her inside knowledge to write about crime, and over the next 40 years her prolific output was serialized under the title The Detective’s Album in the mass-circulation Australian Journal. She often lived precariously, struggling with alcohol and unable to prevent her son drifting into a life of crime, and preserved her privacy by always using pseudonyms. Her anonymity meant that when she died in 1911 she was almost lost to literary history. Only recently has her true identity and her extraordinary life story emerged. This collection, appearing concurrently with a biography, restores her to her rightful place as a trailblazing crime writer.

When several small-town locals die under mysterious circumstances, an aspiring journalist is determined to prove the connection between them, only to discover the dangerous secrets they left behind.

Boney Creek is a dying town where not a lot happens. The perfect solution for married couple Addie and Toby who are escaping their own personal tragedy. But a quiet and simple life is not exactly possible with so many recent, strange deaths.

Seven locals, all gone too soon. That’s the nature of tragic accidents. And in a town this small, there’s no room for too many questions.

But Addie isn’t so sure. Although she never followed through on her dreams of becoming a journalist, she still has a reporter’s instincts. And her gut—not to mention all the small-town gossip—is telling her that whatever’s happening in Boney Creek is not as random as it seems.

There’s no such thing as coincidence, especially when it comes to seven bodies. And while burying her own secrets, Addie digs up far greater ones that will have her asking if she will be the town’s next so-called accident.

Gemma Guillory knows her once-charming town is now remembered for one reason, and one reason only.

That three innocent people died. That the last stop on the Rainier Ripper's trail of death seventeen years ago was her innocuous little teashop.

She knows that the consequences of catching the Ripper still haunt her police officer husband and their marriage to this day and that some of her neighbours are desperate - desperate enough to welcome a dark tourism company keen to cash in on Rainier's reputation as the murder town.

When the tour operator is killed by a Ripper copycat on Gemma's doorstep, the unease that has lurked quietly in the original killer's wake turns to foreboding, and she's drawn into the investigation. Unbeknownst to her, so is a prisoner named Lane Holland.

Gemma knows her town. She knows her people. Doesn't she?

When Detective Inspector Jaye Hamilton stops at an Auckland liquor store for a bottle of champagne, it is supposed to be his daughter Addison has just gotten engaged. Instead, he is suddenly gunned down at the register by a balaclava-clad assailant in what appears at first to be a random act. The getaway car is quickly recovered, containing the cell phone of a young Māori man, Toa Davis, who is immediately the object of an all-out police search.

Jaye’s ex-wife, former Māori detective Hana Westerman, asks in on the investigation. Her instincts suggest that the vehicle was meant to be found, and that Jaye had been targeted. The gun used in the assault is distinctive, and she learns that a local gang leader, Erwin Rendall—who had threatened Hana in the past—owns such a weapon. When Davis turns up dead, the hunt for Rendall is on. Yet when Rendall slips through the dragnet and escapes the country, and in the wake of Jaye’s death, Hana decides to rejoin the force, acknowledging that she has unfinished business still.