Women - those who bear the ‘thought burden’, those who do the nurturing, those who are responsible for the “reining in” of erratic behaviour. Stunningly simple, the thematical concept behind SLEEPING BEAUTIES is not to visualize the horror and drama as the world is slowly broken down, but more to realize how simple and obvious making this happen might be.
As you would expect with the epic novels of this size, SLEEPING BEAUTIES has a cast of thousands and the reader will need to keep on top of all that, in particular as the siege of the women’s prison continues. Lots of guys with guns all fighting what they think is the good fight. Stephen King has obviously been here before (not necessarily geographically - though any fan of King knows that many of his towns and folk do crossover in a freakishly satisfying way) as his legacy novels like THE STAND set new benchmarks for post-apocalyptic works. Benchmarks, that just quietly, may never be vaulted over by other authors. King is King. He does these “rise above the common doom” novels extremely well.
It is easy (and quite fun!) to imagine that a savage edit might have taken place to remove the odd literary swipe at present day government and industry leaders. Messrs King masterfully duck and weave around the particulars and instead illustrate the domestic oppressions and expectations still placed on women via poignant little vignettes that strike uncomfortable and familiar chords.
The identifiable everyday and the supernatural are fully meshed in SLEEPING BEAUTIES and it’s a testament to the writers skill that soon we don’t question when the otherworldly inclusions appear. It is not a full scale good versus evil battle here in this novel but the take home will unsettle regardless. Allow a few days to switch off and take it all in.