To Myron Bolitar, his college roommate Win is family. It’s been a very long time since either he or the enigmatic Win Lockwood have had to share a room but their lives have been intertwined in love and danger ever since. So when the call for help comes from Win, Myron does not hesitate. There has been a sighting in the UK of Winn’s cousin Rhys who was snatched from a playdate along with his best friend Patrick. The two boys have possibly been used in the UK sex trade the entire time they have been missing. Winn at first tries on his own to snatch one of the boys but it does not go so w
What do we expect out of a Myron Bolitar novel? Wise cracking bromance laughs, the good guys winning, the unexpected twists and the odd punch up. We have all of those in HOME only here it’s a little on mute and the lines for who we are supposed to be barracking for are getting a little blurry. What is most welcome here is that we are privy to the thoughts that are coasting around in the more pragmatic head of Win Lockwood. As always, Win’s character is strong enough to sculpt a novel alone without the softer addition of his best friend in all things, Myron Bolitar. Here in HOME, we receive the points of view of both men.
The familiar cast are getting a bit of a clean up to become more politically correct and this does soften their edges, 11 books in. Regardless, HOME is a welcome visit with old friends. HOME may be a deliberately crafted deliberate step in a long running series which could end on a high or slowly coast out due to the realistic ageing and changes in circumstances for Myron. Not entirely sure whether I want to see Win humanized with family connections, but again perhaps that’s been written in to indicate a change in direction for the series.
HOME is another entry in a series that never fails to deliver the thrills and spills with enough levity to bring it out of the dark. There are twists you won’t see coming and these are still the guys that you wish could have your back in real life.
BOOK REVIEW - FINAL GIRLS, RILEY SAGER
Life for Quincy is divided into two parts. Before Pine Cottage, and after Pine Cottage. Quincy's memory is fuzzy on the precise events that led to the death of all her friends on their mini holiday, but she has never been allowed to forget what it is that she will became in her survival; a Final Girl. The only one to stagger out of the forest that day, blood soaked and being chased by a knife wielding killer, was Quincy. The media continues to be obsessed with Quincy and two other “Final Girls”; Samantha Boyd and Lisa Milner – even though it has been years since their separate horrors.
The concept of FINAL GIRLS is a very compelling one. Perhaps its completely new one, or perhaps it’s a variation on an old theme of wondering who will survive the carnage in a horror film – there is always one. Quincy and Samantha are two people who experienced trauma, but have developed very different ways in coping what has forever changed them. The ebb and flow of tension is dictated by Quincy's navigation around those parts of herself that have been masked in order to appear “normal” and it is a cleverly crafted balance.
FINAL GIRLS is a essentially a battle of the facades between the two survivors and the tension lies in seeing who it is that will be the stronger. A little sadness is woven in there too in that Quincy has endured so much and can’t quite get her mind around what it is to move on (much like the media can’t leave it alone, and that there are always going to be people out there who are obsessed with this sort of thing). It is a nail biting read to the end as we wait to see who will come through, and whether Quincy can marry up the parts of her memories that belong in nightmares with the horrific events that actually took place at Pine Cottage.