The death of Maria Turquand had all the ingredients that would have appealed to the salacious public forty years ago; a beautiful woman, gangsters, drugs and rock stars. Not everyone from those glory days has moved on from Edinburgh and it pleases retired detective John Rebus that this is a cold case with connections to the present. Old crimes can still wound. Secrets from the past can forever alter those that are forever tasked with keeping them hidden.
It's quite possible that there will be a few moments during the reading of this novel where you will want to punch the air in pride. Our man Rebus still has the sharpest wit around and eases his way around tricky situations with the practiced air of one who expects little of others but demands much of himself. The acceptance of DI Siobhan Clarke and DI Malcolm Fox that Rebus will always a part of their investigative lives is well and truly established in RATHER BE THE DEVIL; it is both sweet and savvy of them both. The Rebus novels remain fiendishly clever and there's that continuing comfort also in knowing that John Rebus will not twilight out fighting the good fight alone. Having the serving Scotland police force continue to accept the input of an ex detective like Rebus, who always unashamedly operated within his own unique moral code, is supremely satisfying to his long time fans.
RATHER BE THE DEVIL is not quite new light through old windows but by novel's end you are quite refreshed and confident that this series will continue to go from strength to strength, even with the changing of the guard. The world of Rebus is now very insular – need a cop, use Malcolm and Siobhan, need a criminal lord, there’s always big Ger Cafferty etc – but the novels continue to be loaded to the hilt with vicious crimes and complicated agendas. RATHER BE THE DEVIL is a tighter work than a few of its series predecessors in that the series strengths are being employed all at once to produce an absorbing crime novel that would hold its own to a new reader, plus reaffirm the devotion of an existing fan of author Ian Rankin.
Book review - Six Tudor Queens - Anne Boleyn the Kings Obsession, Alison Weir
Prince Henry has been raised with the inherited expectation that he will be one day be King and also, that he will never be denied. Anne Boleyn has little affection for the young King, though she absolutely recognizes and respects his singular determination to succeed.
The charm with having also read the first "Queen" book in this series (about Katharine of Aragon) is that the timelines do cross over. Each Queen has knowledge of the next so we will be receiving their own individual viewpoints in each subsequent book; the events that lead to their downfalls are relayed via their own interactions and also via those of their supporters. It is fascinating to see what each Queen might have thought of the other, and also of the various affairs that King Henry VIII carried on with whilst married to each of them.
Of course there seems to be a cast of thousands, each with their own alliances and family entanglements so the reader will need to keep sharp on this throughout the various court intrigues. Henry VIII's flailing attempts to satisfy his own desires and ambitions are quite astonishing and the cruelty shown to almost all women of this time still sits heavy, hundreds of years later.
Author Alison Weir has delivered an accessible piece of historical fiction that both educates and entertains. This brutal time in English history relates as fresh and new as if it all had just occurred and every character is sketched in such a way that we are quick to feel sympathy or disgust. You don't need to be full bottle on the Tudors to enjoy this book as the historical facts are all story interwoven and given weight by the knowledge that real historical figures were involved. Weir's writing style is relatively economical and you do get the sense this is because of the huge amount of content needed to be inserted into the narrative whilst not causing the reader's eyes to glaze over from the factual overload.
You might be a English history buff, a fan of regency drama fiction or just into the chaotic stories of Henry VIII and his doomed queens. SIX TUDOR QUEENS; ANNE BOLEYN, A KINGS OBSESSION will comfortably satisfy all of these reader requirements and give you a fresh take on what we thought was a well known period of English royal history.
BOOK REVIEW: HUSH LITTLE BABY, JOANNA BARNARD
Married to a man who has been through it all before, Sally isn't always sure that she is doing this parenting thing right and if she's wrong... well someone will be sure to correct her. Living with her extrovert husband and his daughter from his first marriage, Sally truly wants to enjoy this time with baby Oliver but the first year is turning out to be more than she ever thought it could be. There's so much more work, much more worrying to do, and it's definitely more exhausting than anything else Sally has ever experienced.
Digging into the parental guilt that is heaped upon all new parents, HUSH LITTLE BABY is that needling little voice in your head telling you that you're not doing it right, and that someone else could probably do it better. Sally's character alternates between maternal confidence and maternal guilt; we're never quite sure if she is genuinely apathetic, guilty, or simply exhausted. The speed at which her child is taken from her is frightening, and the lack of real support she has shown to her is heartbreaking. This novel does much to illustrate that success is often just a facade, and that family members living in the same household can actually have little clue what the others are going through.
The world truly can come to a stop when a new little person enters the world and for mothers the expectations placed upon them, often by themselves as well as by others, are doomed not to be met. The poking and prodding into Sally's wellbeing is an insidious beast, eroding Sally's self confidence and ability to see clearly. We're truly invested in seeing this family come out the other side. Much to take home from this immersive book where no one trusts anyone else enough to tell the truth.
BOOK REVIEW - DR JEKYLL & MR SEEK, ANTHONY O'NEILL
Many years have passed since Dr Jekyll suddenly left London society. Lawyer Mr Utterson, seemingly steadfast in his continued assistance to the absent Dr Jekyll, has been busy making plans. Lasting plans, and they include a lady’s affection. Dr Jekyll’s vacant town house is soon to come into the possession of Mr Utterson himself, now that the required seven year period has passed. Nothing can stop Mr Utterson in his ascension now. And yet it does. The return of Dr Jekyll is a sensation.
There is something of a huge comfort in picking up a book that possesses that air of gentility which was common to works written in the latter part of the 19th century. The first pages of DR JEKYLL AND MR SEEK instantly catapult the reader into a murky world where deception and nefarious acts are committed by intelligent yet desperate men.
DR JEKYLL & MR SEEK is a delightfully immersive read that quickly draws us into a world we never knew we had been missing. A relatively short foray back to 1800’s England, this book wastes no pages in being overly descriptive and instead well spends in gloriously period dialogue and the suitably outraged inner splutterings of Mr Utterson as he investigates this most grievous of wrongs. We’re easily caught up and sympathetic towards Mr Utterson who has had the best of intentions all along and seems quite deserving to inherit from the considerable burden of his secret knowledge.
DR JEKYLL & MR SEEK is neatly crafted of course around the key events of Robert Louis Stevenson’s classic novel THE STRANGE CASE OF DR JEKYLL AND MR HYDE. You don’t need to know much about the first book in order to respect the homage paid in this modern day follow up and this novel is successful without the need to include an onerous summary of the first. A small but respectful continuation of a very grand tale.
#review Ruby and the Blue Sky, Katherine Dewar
Grammy night, 2021. Ruby wins 'Best Song' and makes an impulsive acceptance speech that excites nature lovers across the world. While Ruby and her band celebrate, an extreme evangelical sect, funded by covert paymasters, dispatches a disciple on a ruthless mission to England.
As the band plays its sold-out tour, Ruby is pursued by eco-groupies insisting she use her new fame to fight climate change.
Coming at an eco-thriller from the point of view of the activists, RUBY AND THE BLUE SKY is part thriller, part exploration of "celebrity" culture, and part do good chick lit novel. The idea at the core is that fame can be used in positive ways - in this case a pro-environment, anti consumer-culture stance with a hefty dose of women's rights and empowerment.
To that end the central character Ruby is band leader, conscience and activist, pursued by eco-groupies, determined to ensure she uses a sold-out tour as a venue to push the messages. Needless to say message is a major part of this novel, with other elements, particularly those likely to be associated with thrillers, tending to be pushed to the background, or mostly, the later parts of the book.
Tone is important here and it's definitely designed to be on the lighter side, which doesn't always serve as a vehicle for delivery as the message often disappears into ancillaries (such as dedicated environmental warriors sitting around discussing nail polish colours).
There's also a brave undertaking being attempted for a thriller here - with the threat somehow always feeling slightly off-stage. It all does come down to the comment in the blurb - one young woman leading change in a sea of cynical old men and money-grubbing corporations. Whether or not that possibility is argued to any reasonable conclusion is going to come down to whether or not the style and structure of RUBY AND THE BLUE SKY works for individual readers.
BOOK REVIEW - LOVE LIKE BLOOD, Mark Billingham
Whenever suspicion arises in a murder inquiry that it may be the result of an honour killing, the tasked investigators have a dual mission. One, to find out the identity of the murderers, and two, to determine who it was that arranged for the killings to be carried out. The practice of honour killings might still continue, but publicly the communities deny their occurrence.
It's always a joy to visit with Tom Thorne who makes firm decisions according to his own moral code and does not sweat the consequences of his actions. Thorne's personal life, now fourteen novels in, has settled into that of (mostly) peaceful cohabitation with his partner Helen and her son. There is less of Thorne's presence here as he shares the stage with colleague DI Tanner, and Tanner’s personal back story has greater relevance to the events of LOVE LIKE BLOOD. Thorne still shows us that he has firm personal convictions and plenty to say, but it's a more muted Thorne we encounter in this series entry.
LOVE LIKE BLOOD being the first crime novel that this reviewer has read on this type of murder, it has delivered quite an education. It beggars belief that this kind of reasoning behind the killing of family members is still considered acceptable by so many, and this is the frustration that the police convey in the novel. Billingham's author note at conclusion references a real life tragedy that is replicated in this novel, a fictional work. In different hands this novel could have been a much more bitter piece but the contemporary crime with a very old motive is delivered with Billingham's usual confidence and assurance. Whilst not being the most fast paced novel in the series, it is one of the more thoughtful and deliberate works.
BOOK REVIEW: RAGDOLL, DANIEL COLE
After attacking a child killer during his trial at court, Detective William Fawkes, known as Wolf, was publicly shamed and sent to spend time in a mental care facility. Now back on the job in Homicide, Wolf is painfully aware of a few things. First, that he was right all along. The killer he had attacked so savagely was eventually released, committing further atrocities before being recaptured. Second, that there’s a still a lot of people both in the force and out who think that Wolf has proven himself to be an unreliable loose cannon.
RAGDOLL is the debut novel of author Daniel Cole. With a second series entry due out in 2018, this is great news for readers of UK police procedurals. We're emotionally invested pretty soon into the read as RAGDOLL’s strongest inclusion is its large cast of diverse characters. Some decisions made by the police seem a bit questionable as they are marched through very quickly in order to keep momentum, but it's not that much of a pull away from the enjoyment of this read. You expect a bit of plot fluidity in a first novel and without great characters, you are unlikely to bother with book two.
Dark humour is sprinkled throughout RAGDOLL which is a welcome addition to temporarily lighten the mood away from the death and destruction. The characters don't seem to want to perform to our expectations of them and this does work to the advantage of injecting some realism into a novel that has a lot of bodies to deal with plus a fair whack of back story to roll out. Wolf is a complex character who moves through the novel by the seat of his pants, making this more of a personal journey to redemption than at first it might seem. It's fast, it's often funny, there's TV worthy gore, there is realistic emotional drama. RAGDOLL's cast is a welcome addition to the world of crime fiction and eventually we hope, to the small screen also.
BOOK REVIEW - THE SECRETS SHE KEEPS, Michael Robotham
On the outside, always looking in, is the lonely view of the world that Agatha is well used to. Working up to her due date at a grocery store, Agatha’s regular relief from boredom is to watch through the shop windows local mothers having coffees together after school drop off. It seems a little more than unfair to Agatha that these mothers feel the need to constantly gripe about their husbands and children. To have a family of her own is all that Agatha has ever wanted.
If you’ve read any books at all by this author, picking this title up will be a no-brainer. They are all consistently written at a higher quality than their market peers. Author Michael Robotham proves his versatility once again and writes with assurance about the intense world of female relationships and in particular, of the point at which women are at their most vulnerable. Nothing is overplayed and it’s a subtle hand that deals out the enormities of loss, betrayal, deception and entitlement. It’s a win for readers that Robotham has written a female centric novel of this kind as it will lift the writing bar for those that will follow.
THE SECRETS SHE KEEPS is a compelling dramatic thriller that delicately balances the humanity of the two women with the consequences of their shocking actions. It was very difficult to re-emerge from the world of this book as was written to be so very immersive. The reader will take on the ache of both mothers in their predicaments that are so similar and yet at such odds for each to resolve.
You’ll knock this novel off in one or two sittings so book yourself in for a solid enjoyable read as soon as you can!
BOOK REVIEW - TATTLETALE, Sarah J Naughton
Mags had been estranged from her brother Abe at the time of his accident. Their separation wasn’t due to having had a falling out; it was more that their lives had moved in very different directions. Confident Mags had followed her legal career to the U.S.
TATTLETALE is a bit of a muddy experience initially as the characters are established. As doubt begins to direct Mags in her investigations, the pace picks up and we are questioning everything that she has been told about the life of her brother. Mags is a terrific character (would love to see her again in another book) and the strength of her resolve drives TATTLETALE forward. The viewpoints of the two women are in such opposition to each other that we do not know who is presenting their true selves, and who is operating behind a mask. Secondary characters from the building all have their own memories of Abe and it is through these that Mags needs to sift in order to end this whole UK chapter and get back to her “real” life in the United States.
TATTLETALE around three quarters in takes a left turn and it is a little bewildering. It appears that the decision may have been made that the novel wasn’t long enough and so more was added to extend the work beyond what would have been its logical and natural end. The extra content and subsequent conclusion jars with the atmospheric tone carefully established in the first part of the book. Mags inserting herself in to Abe’s life with such determination versus the vague way in which Jody conducts her life is the real treat in TATTLETALE and the book is satisfyingly layered in such a way that you will want to see the resolution of every single thread the author has carefully introduced.
Review - The Watcher, Ross Armstrong
Lily lives with her writer husband in their modern apartment, minus the usual trappings of children and pets. It’s a quiet life, despite the teeming masses of humanity that share the apartment complex with them. It is the coming and going of the other residents, plus those across the street also, that compels Lily to obsessively people watch. Likening her new hobby to “birding”, Lily becomes more and more immersed in being the unseen observer and becomes more organized in her approach to her daily observations.
You do want to Lily to succeed, as her clumsy and inept forays into investigating the murder of her neighbour are almost charming. She is a lone woman against the world and her husband is of little or no help. You do feel her frustration when the efforts of others to shut her down send her into further distress and disarray. Lily is one person who truly needs to get to the truth. The red herrings are largely due to the floundering of Lily herself and the structure of the murder mystery is not that complicated; you will need to wade in and wait quite a while for the major plot twist.
The recent popular novels referenced as comparisons to THE WATCHER do lead us to suspect an unreliable narrator, and it is this that drives the reader forward in what is otherwise a slow moving novel. What did Lily actually see? What interactions has Lily really had with her suspect neighbours and what is her involvement with the murder itself? THE WATCHER struggles to keep the action moving forward, and on reflection at novel’s end it is hard to determine why it is that Lily keeps persisting.