Macaulay Lewis has a major problem. Sure he was there the night that shadowy society cat-burglar Fingers stole the Bushman's Thimbles (diamonds that is) from Gemma Conrad's nipples, with the weathergirl not even noticing they had gone. But he kind of didn't update the copy that subsequently went out on his own newspaper's front page so there was no mention of this startling event. Bit embarrassing. Even more embarrassing because the glittering social event was that paper's own Diamond Awards night.
Mac is pretty used to stuffing up though - he spends most of his life in a slightly hung-over increasingly desperate search for a life. Fingers, though, is not the life he wants. The powers that be at the newspaper seem to think that Fingers is somehow their story and despite everything, they hope that Mac is their inner track to the cat burglar. Everybody else in the London media has other ideas. Mac, alas, finds himself more and more at events where Fingers pulls off one of his grand heists and slowly people start to wonder whether Mac and Fingers are more closely acquainted than initially thought. Whilst everyone else is madly speculating, Mac is just trying to get through the day and maybe get laid.
As Fingers increasingly pulls off more elaborate thefts, Mac finds his job security more and more threatened by his total inability to get anything right about this story, and he's no closer to getting his ex-girlfriend Elspeth to fancy him again. He also can't get sister Janie to stop dating losers and sister (christened Margaret - now Miriam) to stop playing the role of Jewish Princess. With their Scottish father and absent Jewish mother, Mac, Margaret and Janie are a close set of siblings despite everything.
OVER EXPOSURE is a bit of a romp through the grotty, silly, self-obsessed world of B-grade celebrity, heavy duty partying and the gossip columns of London. The famous names are liberally sprinkled throughout the book, but for non-UK based, not addicted to TV readers, it will require acceptance that these people were probably famous for some reason and the ability to just let that roll, because frankly, this particular reader has only heard of one in every 10 of the names.
There's also nothing terribly serious about OVER EXPOSURE, but the silliness is quite catching. Readers will have to be prepared for a bit of debauchery and some overt drug use and drinking, but Mac's a great character and there are some good, strong secondary characters orbiting around him. OVER EXPOSURE is a really fun, silly caper book, built around these elaborate celebrity thefts and a bloke who is just trying to straighten up and get the girl.
GAGGED & BOUND - Natasha Cooper
Trish Maguire is a barrister but no expert in libel law, but her head of Chambers desperately seeks help with the weeping, deeply worried Bee Bowman. Bee is being sued by Lord Tick, a new member of the House of Lords, over the use of his little known family nickname in a biography she has written about a young man caught up in the bombing of a bus load of small children. Typically, nothing ever happens in single events though, and Trish is also caught up in the problems of her dear friend Detective Inspector Caro Lyalt who, in the process of applying for a very high profile job promotion, is told that one of her fellow applicants could be in the pay of a notorious local crime family â€“ the Slabbs.
In the process of investigating both events Trish and her young half-brother David are threatened and her love life hits rocky times because of the threats. A whistle-blower dies, a young woman's body is found, Bee's libel case gets complicated and the reach and brutality of the Slabbs is revealed. GAGGED & BOUND refers not just to the consequences of libel actions but also to the Slabbs preferred method of keeping control of the family and their minions.
The investigation of the libel case is an interesting plot point, as the convicted bomber has already committed suicide and the person with the most to lose from the case is the biographer and maybe the bomber's elderly mother. As Trish delves deeper into the circumstances it seems that the circumstances of the bombing were more complicated than revealed at his own trial.
GAGGED & BOUND is not the first book in the Trish Maquire series and whilst it was possible to follow the story itself in the book, a lot of the background to Trish, brother David and partner George is hinted at, but with insufficient detail to prevent a slight feeling of confusion on the part of the reader. Perhaps it was this that lead to a slight feeling of disconnection with the story and with Trish herself. The plot in GAGGED & BOUND is multi-threaded with the libel case and Bee's story interwoven in the narrative with Trish's searching out of connections between Caro's rival and the notorious Slabb family. Trish herself didn't quite do it for me though, maybe a bit too perfect, maybe a bit too much of a stretch to believe she would be so closely involved in some of the investigation lines, maybe it was the sudden revelations out of nowhere that supposedly resolved one of the threads. It would be worth trying GAGGED & BOUND, but you may want to go back to the earlier books to establish a connection with Trish first.
SPIDER LIGHT - Sarah Rayne
Antonia Weston, former psychiatrist has to try to rebuild her life, shattered by murder and obsession. When she is released from prison after serving her own sentence for manslaughter, her former boss finds her a small cottage to rent in the quiet village of Amberwood.
The cottage is in the grounds of Quire House, now open to the public, in the past the family home of Thomasina Forrester. Over a century ago, Thomasina was a woman of money and influence, overseeing a trust that provided support for Latchkill Asylum. Latchkill is a malevolent place which has a profound affect on the local area and the people who live nearby. Maud is one of those people, her father runs the local mill Twygrist, and Maud, young, innocent and motherless is pulled into Thomasina's influence.
Antonia, in an effort to put aside the past events in her own life, forms a tentative friendship with one of the curators at Quire and finds herself increasingly drawn to finding out more about Quire House, Thomasina Forrester and Twygrist Mill. Although Latchkill has long been pulled down, Twygrist Mill still stands, derelict and menacing in the village and it still has a profound affect on people, not the least Antonia herself.
SPIDER LIGHT moves backwards and forwards between the past and the present, revealing more of Antonia's own experience and the story of Thomasina and Maud. Both threads have a central core of personal and sexual obsession which increasingly becomes more twisted and dangerous. Both stories have consequences that rapidly escalate and the results for Thomasina, Maud and Antonia are dire. All the way along, Twygrist Mill remains a focal point for so much anguish.
SPIDER LIGHT is Sarah Rayne's 4th book, a psychological thriller with a clever intertwining of the past and the present. SPIDER LIGHT is a reference to the half-light that comes at certain times of the day, the time when spider's sneak around, the light soft and eerie. It's an image that is used throughout the book to impart the sinister look and feel of Latchkill Asylum. It's also used to describe that half-world between madness and sanity, and it works. It imparts a creepy, half-light, enclosed, fuzzy world where nothing is clearly defined and nothing is quite right with that world.
SPIDER LIGHT is a great book, but don't make the mistake I did, reading it in the middle of a heavy, dull, spidery light, smoke-filled atmosphere from local bushfires. Try it in the bright sunlight, but definitely try it.
THE NO 2 GLOBAL DETECTIVE - Toby Clements
Lovers of Precious Ramotswe, Kurt Wallender, Rebus and Kay Scarpetta may wish to look away now. Toby Clements in his second book THE NO 2 GLOBAL DETECTIVE, rolls up his sleeves and gets stuck in.
When Junior Tutor at Cuff College Oxford, Tom Hurst, joins the faculty of the world's most famous crime fiction college he's startled, firstly by his fellow faculty and then a body, in the library, with a spear and the price tag of an IKEA duvet.
Hurst sets off to recruit four of the college's most famous graduates to kind the killer. He journeys to Botswana to see Mma Delicious Ontoaste, then to Sweden and Inspector Burt Colander, before heading for Scotland and Inspector Scott Rhombus, finishing up in America and (well you guessed it) Doctor Faye Carpaccia. Together they must stop arguing and get to IKEA before it shuts.
NO 2 GLOBAL DETECTIVE is really a loosely connected set of parodies of each of the 4 popular crime fiction characters, wrapped up in an overall investigation around the college which has the distinct feel of a Michael Innes or like-minded cloistered academic setting.
According to the bio provided, Toby Clements reviews crime novels for a national newspaper and keeps a who's who in crime fiction on his desk. He obviously knows the nuances of the big name writers he's having a go at incredibly well. Each of the sections is written with a very similar feeling / tone to the original authors, although he's possibly the most successful with Mma Delicious Ontoaste where the lampooning seems to be at its largest and the behaviour of the central character at its most outrageous and unexpected.
Whether or not you like the idea of vicious parody will probably dictate whether or not you like this book. Whilst there are some moments of inspired hilarity - there were some periods where you just wish the author would stop trying to be too clever and get on with it.
Silly, tongue in cheek, having a go at some of the well known names in Crime Fiction, THE NO 2 GLOBAL DETECTIVE has that feel of a book that somebody will buy for a friend they think takes their crime fiction too seriously.
THE CUTTING ROOM - Louise Welsh
THE CUTTING ROOM is Louise Welsh's debut novel, published for the first time by Text Publishing in Australia in 2006.
Rilke's not exactly the archetypal hero accidental investigator. He's in his 40's; his personal hygiene is a bit offhand; he's an auctioneer for one of Glasgow's less than salubrious auction houses and he's gay with a taste for anonymous sexual encounters anywhere, anytime.
When summoned by Miss McKindless to her recently deceased brother's home, stuffed full with antiques, the likes of which Rilke's firm have never been able to get hold of. Despite her demand that the entire house be cleared in a week, Rilke readily agrees to the windfall. When she insists that Rilke personally clear her brother's private room in the attic he goes along with that as well, although she's very particular that everything in it must be destroyed. Naturally Rilke can't resist a very good look around and in amongst the very impressive collection of exclusive erotica, he finds a cache of photographs. The photographs include some of the dead man along with many that have a snuff porn theme. Rilke is immediately drawn to finding out where these photos came from and who the girl depicted could be.
Despite the fact that the search for the origins of the photos and the girl herself is a very fruitless task - the photos are obviously old, there is no indication of where they came from or where taken or anything that could possibly provide any sort of lead, Rilke can't leave well enough alone. He says himself "Let's just say I can't leave her there" when pressed to chuck it all in. And herein lies one of the great dichotomy's of the book. Rilke is in many ways a very confrontational character. His pursuit of sexual pleasure is, well, not to put too fine a point on it, a bit mucky. His (and those of his boss Rose's) ethics are a tad on the questionable side, and yet he continues the quest to find out something about these photos in a way that is extremely human and decent. At the same time, he's not depicted as a lone wolf, hard man who cares - typical of many crime fiction books. He is extremely cynical, he's a realist.
Along with Rilke there's a supporting cast of wonderful characters - Rose, his slightly overblown, vaguely past it, sexual predator boss, whose best friend is ultimately Rilke - the one man who just isn't vaguely interested in her sexually no matter what she does. There's Les the drug-dealing transvestite. There's a bunch of reprobate second hand dealers in everything from books to porn, furniture to junk. There's the old schoolfriend, now policeman, who does Rilke more than one favour by dragging him out of some difficult 'legal' situations. All of the supporting characters are drawn as vividly as the Rilke and again, there are some things to like and some things to loathe about many of them.
Ultimately THE CUTTING ROOM is a fascinating book - part morality tale, part crime fiction, part character study, vaguely Gothic, grotty and steeped in a sense of place and people. If you are interested in the non-black and white, if you can let the obvious flaws in somebody's character roll and look beneath to find a true nature, you should enjoy this book.
THE RED DAHLIA - Lynda La Plante
When the body of a young woman is found on the banks of the River Thames, the injuries turn out to have an unsettling similarity to the unsolved, 1930's Los Angeles case of Elizabeth Short - known as The Black Dahlia.
Detective Inspector Anna Travis is on the team investigating this horrible crime when Detective Chief Inspector James Langton is called in to take over from the original team leader. They have a prior working and private history and Travis is very hesitant and discomforted by the close presence of the volatile and erratic Langton. As the killer starts to taunt the murder team in a manner that follows the Black Dahlia case, right down to inciting local media to dub the victim The Red Dahlia, the team becomes increasingly aware that this a violent and vicious killer who thinks that taunting them is part of the game. It doesn't help that the victim herself is a bit of a mystery, and there are very few clues in her life to a possible perpetrator. Another copycat killing and Langton and Travis realise they have just a few days before the 3rd victim and absolutely no concrete leads. An anonymous tip off finally leads the team to a suspect, and from there on the novel becomes a race to the finish to try to prove the seemingly unprovable.
There is absolutely no doubt that La Plante can write big rip-roaring books with good characterisations and THE RED DAHLIA delivers on that promise. Whilst La Plante does write good, strong, human female characters they are not at the expense of the male characters. Langton starts off an uptight, inaccessible workaholic, becoming more human and vulnerable, even troubled. You can see why Travis would find him so attractive. The killer, who is known from the time of the anonymous tip off is pure evil, but not a caricature. There are some awful elements to the violence of the killings and to the events surrounding the suspect and his behaviour but these are handled carefully, with no attempt to shock or sicken the reader.
This is the second Travis and Langton book, the first being ABOVE SUSPICION but you do not need to have read the first to get the second. THE RED DAHLIA really was a great read - involving; fast paced; nicely balanced in terms of revelations of the violence and horror and sprinkled with just enough personal life to make you engage with all the characters.
HIDDEN - Katy Gardner
Mel Stenning has been a victim most of her life. Adopted by very conventional parents, she rebelled (but hated herself for doing it), getting into all sorts of situations and ultimately ending up in Australia, pregnant with no chance of having anything to do with her daughter Poppy's father. Returning to England she's a single mother, working for a living, finding it hard to cope, when she meets Simon. Never really convinced that Simon loves her, and constantly obsessed that he's remained involved with his last girlfriend Rosa, Mel is pregnant again. When Simon proposes, they marry and move to an old, derelict warehouse in Kent that Simon is sure they can renovate. Poppy finds it hard to adjust to the new area; the renovations lurch along out of control and mostly going nowhere; Mel obsesses over Simon's commitment to her; and Jo, when he arrives, is a difficult baby, colicky and fractious. Simon is increasingly absent from home working in London on jobs for desperately needed money.
In the meantime London police are investigating the violent stabbing death of prostitute found in her own flat, and then Rosa goes missing. The police are very interested in talking to Simon about Rosa, even more so when his credit cards are found in her house. Mel's even more convinced that Simon has been lying to her about Rosa, but when the police interest in him increases and Poppy suddenly goes missing, seemingly taken by Simon, Mel's life and faith in Simon spirals totally out of control.
Mel is the focus of HIDDEN. The story is told from her perspective, starting immediately with the circumstances around Poppy going missing and then back through events that got them to that place. Interspersed with Mel's life are chapters from the viewpoint of policeman Dave Gosforth, in charge of the murder investigation and then Rosa and Poppy's disappearances. The use of the first person perspective means that Mel's obsessions are stark and concentrated. This perspective gives the book a very claustrophobic, self-involved feeling, almost voyeuristic and definitely slightly creepy. Mel is quite exasperating - her victim mentality and her inability to make a positive change become really frustrating, but the pace of the book does pull you through the story. The final resolution is not hard to see coming, but the increasing tension by that stage means that you stay with Mel just to see if she'll actually develop some backbone and get herself out of this.
Despite, or possibly because, Mel is such a complicated character this was a unexpectedly involving book.
THE ART OF DROWNING - Frances Fyfield
Rachel Doe needs to sort out her life. She's had such a sheltered, cautious existence; an accountant, only daughter of very timid parents, the only really daring thing she has done in her life was to dob in her lover - a liar and thief. All she got for her efforts was suspicion and a greater sense of loneliness and isolation than she had ever had before.
When Rachel meets Ivy she's totally captivated and they soon become involved in a very intense, platonic friendship which surprises everyone. Ivy is so different from Rachel, she was a real wild child - charismatic; a life-drawing model; ex-junkie; cleaner and ex-wife of Carl - now a Judge. The relationship is even more intense for Rachel as she finds, in Ivy's mother Grace, the sort of mother figure that her own never was, encompassing, loving, fun and ever so slightly happy crazy, Rachel is ultimately as attracted to Ivy's family as she is to Ivy.
Ivy's divorce from Carl came after the drowning of their daughter in a lake not far from Ivy's family farm. Since the divorce she has had no contact with her son. Rachel finds herself trying to bring about a reconciliation, at least between Ivy's parents and their grandson. Whilst she is repulsed by Carl and the stories of his violence and cruelty towards Ivy, she also finds herself strangely attracted to him. Can this charming, considerate man really be the monster that tore Ivy's son from her arms and caused the death of his own daughter?
As the friendship between Rachel and Ivy escalates and Rachel's attempts to firstly contact the Judge and then get him to agree to meet with Ivy's parents, there is a slow building of tension. Events occur around them that appear to have no relationship to what is happening between the main players in the story, but at the same time, the reader is made more and more aware that there's something very odd going on. The story unfolds rapidly and whilst you can guess that there's something really sinister going on, the question is what exactly is that "something".
There's a great sense of escalating tension and conflict in this book. Rachel is an interesting character as she moves from infatuation with Ivy, through doubt, to justification and denial, and finally strength and inner steel. Ivy is very edgy, intense and obviously complex. The surrounding characters are flawed, human and retain your interest. There is a bit of subtext around the story - the difficulties of farming life, Carl and his life with a teenage son, a sympathetic and overworked policeman and his own family.
Having read quite a few Frances Fyfield books in the past, THE ART OF DROWNING is definitely a major standout, it was compelling, retained interest and was nicely paced with a very realistic and satisfactory ending.
NO SUSPICIOUS CIRCUMSTANCES - The Mulgray Twins
When your protagonist is a member of Her Majesty’s Revenue and Customs and her partner is a trained drug-sniffer cat (yes, I said cat), you know the book isn’t going to be heavy on the gritty realism. NO SUSPICIOUS CIRCUMSTANCES is pure fluff so you do have to suspend disbelief to an extent. However, D.J. lurches from crisis to crisis, often endangering her life. Another day, another body. Yet one more attempt on her life. It all becomes extremely repetitious and predictable.
As the suspects are killed off, there is no reason given for their deaths. We have no idea if they are involved in the drug smuggling or whether they merely got in the way and discovered who was behind it all.
D.J. is working alone. She follows a suspect to an island and is pushed down a flight of stairs in an ancient castle. She dives into a pond in a tropical arboretum to avoid detection. She nearly tumbles off a cliff edge following a suspect alone at night. In between all this she is forced to change hotels, to one where the cat is welcome. It is discovered her cat is something of an artist which is encouraged by her host. Cat paintings can fetch big money in the U.S.A. you know. She also manages to accidently dye her hair bright green.
I’ll be honest here. Cozies aren’t my favourite genre of crime fiction. However, I will happily admit to enjoying some light-hearted reading from time to time. NO SUSPICIOUS CIRCUMSTANCES, however, was just a little too much for me. I found it to be silly in the extreme and without enough plot to sustain it.
VISIBILITY - Boris Starling
VISIBILITY is the fourth book from Boris Starling. It is set in 1952 in London in the middle of one of the last great, lingering pea-souper fogs.
VISIBILITY could be a reference to the fog which is all pervading and dictates all of the action and events in this post-war thriller. When biochemist Max Stensness is found drowned in early in the evening, in the middle of the fog, Herbert Smith, ex-MI5 and now member of Scotland Yard's Murder Squad gets the case because it's probably going to be an uninteresting one, and the rest of the murder squad are very unwelcoming and suspicious of Herbert's background.
VISIBILITY could also be a reference to Hannah, the underwater diver called on to search the location where Stensness's body is found. Hannah is Hungarian, blind and a refugee from the Nazi concentration camps.
VISIBILITY could also be a reference to the world of espionage. When Herbert gradually reveals more about the victim he finds that he is back looking at the world of spies, informers, the CIA, the KGB and MI5, despite the fact that he's now looking at it from the point of view of a murder investigation.
VISIBILITY finally could also be a reference to the events surrounding the end of the war and the dissipation of all levels of Nazi party members.
The design of the plot of this book intertwines a lot of historical components - setting the place and the time for the book squarely in a world still dealing with the fallout of the Second World War. Herbert Smith is an interesting detective character, having been forced from MI5 and feeling the effects of a life as a spy which has made him a very lonely, conflicted man. He has a complex and difficult relationship with his mother, currently hospitalised with chronic respitory ailments, exacerbated by the fog. Hannah is a lively, interesting, exciting character, who despite suffering dreadfully at the hands of the Nazi's is not a victim. She's a really strong, capable, independent woman and her blindness is not a disability.
The only minor criticism is that the final outcome is a twist of historical fact which is an approach that can be confronting - what is actually the truth and what did you read in a fiction book? Other than that small, probably personal quibble, this is a good, paced, interesting and involving book with some very engaging characters.